HypeArt Hunter Potter Brings Life to a Band of Wooden Misfits in “The Pasture”By Erin IkeuchiDecember 10, 2024 Whitewall A Summer Preview of the Arrival Art Fair Blossoms in the BerkshiresBy Erica Silverman August 19, 2024 The Side Woo Podcast LA-Artist Hayley Barker on Painting, Being a Witch, Her Connection to Nature and Her New Book “Altar”Youtube and Spotify August 8, 2024 The Side Woo Podcast Interview with Scott Ogden, Director of Shrine GalleryYoutube and Spotify August 8, 2024 BrutJournal Rob Ober: No Ideology, Please. This Art is Real.By Edward M. GómezJuly 16, 2024 Artnet A Chic Berkshires Hotel Will Host an Invite-Only Art Fair Next Summer: ArrivalBy Brian BoucherJuly 12, 2024 Family Style A Thousand Plateaus in “Group Show Summer” By Mika BoyleJuly 12, 2024 Juxtapoz Marina Kappos Paints That "Spooky Action"By Evan PriccoMay 16, 2024 Architectural Digest Melrose Hill, LA’s Buzziest Design Neighborhood, Is Ready for PrimetimeBy Mayer Rus and Lila AllenJune 11, 2024 Hyperallergic 8 Art Shows to See in New York City this May: Hell GetteBy Hrag VartanianMay 2, 2024 Whitehot Magazine Rob Ober: Surrender at SHRINE By Edward Waisnis April 7, 2024 The High Museum The High Museum acquires recent painting by Hayley Barker, For Mrs. Hawk, which is now part of the Museum's permanent collection.2024 Juxtapoz Rasmus Eckhardt and a “Manhattan Fall” in soft pastelBy Evan PriccoFebruary 29, 2024 Juxtapoz Clintel Steed “Portraits of the Indomitable” at SHRINE By Evan Pricco January 23, 2024 The New York Times What to See in N.Y.C. Galleries in JanuaryBy Roberta Smith January 4, 2024 Galerie Magazine 8 Emerging Artists Who Made a Splash at This Year’s NADA and Untitled Art MiamiBy Paul LasterDecember 11, 2023 KCRW Cohort: LA Abstraction in Conversation at SHRINE By Lindsay Preston ZappasDecember 9, 2023 ArteFuse Craig Kucia: machines to solve unsolvable problems at SHRINE Gallery, NYC (Review)By Jenny WangNovember 22, 2023 Artnet L.A. Artist Craig Kucia Paints Curious Contraptions That Defy LogicBy Katie WhiteNovember 14, 2023 Jimon Magazine An Interview with Derek Aylward By JimonNovember 7, 2023 SFMOMA SFMOMA and Creative Growth Art Center Announce Unprecedented Partnership in Celebration of Creative Growth’s 50th AnniversaryOctober 23, 2024 ArtNet Los Angeles Artist Hayley Barker’s Lush, Transfixing Landscapes Are Autobiographical Tributes to NatureBy Jo Lawson-TancredSeptember 27, 2023 Whitehot Magazine On Thomas Dillon By David Jager September 14, 2023 brutjournal Bill Adams’ “Insurrections”: This Time, The Revolution Will Be Painted By Edward M. GómezSeptember 5, 2023 Juxtapoz Derek Aylward’s “Good Morning Sunshine” at SHRINE Los Angeles.By Evan PricooAugust 29, 2023 LA Weekly Gallery Moves: Making Melrose Hill HappenBy Shana Nys DambrotAugust 10, 2023 Pasadena Weekly Interdisciplinary Artist: Ross Simonini shares his curiosity with the worldBy Christina Fuoco-KarasinskiAugust 3, 2023 KCRW Ross Simonini at SHRINE By Lindsay Preston ZappasAugust 4, 2023 Juxtapox The Narrows in the Works of Elise FergusonBy Evan PriccoJuly 28, 2023 Brooklyn Museum Brooklyn Museum acquires recent painting by Hayley Barker, Small Path (Gateway to), which is now part of the Museum's permanent collection.July 2023 Juxtapoz Matthew F Fisher Presents The Study of Shapes @ SHRINE, NYCBy Evan PriccoJuly 19, 2023 Artillery Mag Blair Saxon-Hill at SHRINE By Ezrha Jean Black July 4, 2023 Columbus Museum of Art PRESENT ’23: Building the Scantland Collection of the Columbus Museum of Art Art Spiel Just say YES to NADA! By Melissa SternMay 20, 2023 The New York Times NADA Art Fair Takes Chelsea With High EnergyBy Will HeinrichMay 20, 2023 Art News The Best Booths at NADA New York 2023By Harrison Jacobs May 19, 2023 The Art Newspaper A cardboard Manhattan and a cosy log cabin: artists stand tall at Nada New York fairBy Helen StoilasMay 18, 2023 KCRW Billy White at SHRINEBy Lindsay Preston ZappasApril 11, 2023 CULTURED There are retrospectives and career firsts abound for Loren Erdrich, Bruno Munari, Sam Falls, and more in this week's art openings.By Sophie LeeFebruary 27, 2023 Juxtapoz Hayley Barker Takes Us Back to the "Laguna Castle"February 21, 2023 W Magazine Hayley Barker’s Visions of Natureby Michael SlenskeFebruary 15, 2023 Christie’s Five contemporary artists to watch in 2023, according to Christie’s New York specialistsFebruary 23, 2023 Night Gallery Hayley Barker solo presentation, “Laguna Castle” at Night Gallery, Los AngelesFebruary 18 – March 18, 2023 ArtForum “Death of an Outsider” on ArtForum’s Los Angeles Must See Exhibitions 2023 CULTURED LA's Ambitious New Galleries to Visit During FriezeBy Jennifer PiejkoFebruary 3, 2023 Artnet The L.A. Art Scene Is Expanding in Time for the Frieze Art Fair Amidst a Billionaire Scion’s Bold Investment in an Up-And-Coming AreaBy Katya KazakinaJanuary 19, 2023 Harper’s Magazine Marina Kappos featured in February 2023 “Findings” by Rafil Kroll-Zaidi in Harper’s MagazineFebruary 1, 2023 Collecteurs: The Museum of Private Collections As part of NADA’s New York Gallery Open, some of New York’s most celebrated galleries talk to Collecteurs about the current cultural landscape and why community is the key to the vitality of the overall arts ecosystem. Here we sit down with Scott Ogden of SHRINE.January 1, 2023 Vulture Rob Ober’s Motley Crew Jerry Saltz on Rob OberAugust, 2022 ArtNet A 54-Year-Old History Teacher in Connecticut Just Became One of the Art Market’s Fastest-Rising StarsBy Katya KazakinaAugust 5, 2022 The New York Times What to See in N.Y.C. Galleries Right NowBy Roberta SmithAugust 4, 2022 The Los Angeles Times Why New York art galleries are flocking to Los Angeles — and how it’s altering the art sceneBy Deborah VankinJuly 27, 2022 Derek Aylward “Animal House” at OTI in Hong Kong Solo presentation of Derek Aylward July 15, 2022 - August 27, 2022 ARTnews New York Galleries Sargent’s Daughters, Shrine to Open Joint Los Angeles Outpostby Tessa Solomon February 15, 2022 The James Kalm Report James Kalm at SHRINE Juxtapoz Magazine Screen Door on a Submarine: Derek Aylward at SHRINEby Sasha BogojevJune 11, 2021 Whitehot Magazine Hawkins Bolden's Darknessby John DruryMay 2021 Forbes Hawkins Bolden's Scarecrows Want You To Come Visit Themby Brienne WalshApril 29, 2021 The New York Times Outsider Art Fair, Smaller This Year, but a Model for the Futureby Will HeinrichJanuary 28, 2021 Artforum Openings: Hayley Barkerby Barry SchwabskyJanuary 2021 Artforum Frank Jonesby Zack HatfieldNovember 2020 Forbes Hayley Barker’s Landscapes Embody a Feminine, Earth-Based Spirituality by Brienne WalshNovember 30, 2020 Hyperallergic Welcome to the Empty Gallery That Speaks Volumesby Seph RodneyNovember 9, 2020 The New York Times Frank Jonesby Roberta SmithSeptember 10, 2020 The Brooklyn Rail Frank Jones 114591by Nicholas HeskesSeptember 2020 Hyperallergic The Prison Drawings of Frank Jonesby Edward M. GómezAugust 29, 2020 Forbes “Somehow, He Found Himself To Be An Artist”: On The Work Of Frank Jonesby Brienne WalshAugust 28, 2020 Raw Vision IN FOCUS AND IN DEPTH: FRANK JONES DRAWINGS AT SHRINE, NEW YORKAugust 27, 2020 The New Yorker GOINGS ON ABOUT TOWN - Sarah Mary Taylor “Don’t Mess with Me”by Johanna FatemanAugust 25, 2020 New York Mag - Vulture 25 Notable New Releases Over the Next Two Weeks: Frank Jones at SHRINEby Jerry SaltzAugust 22, 2020 Artnet Editors’ Picks: 11 Events for Your Art Calendar This Week, From an Affordable Art Benefit to a Talk With Paul Chan to Frank Jonesby Tim SchneiderAugust 10, 2020 The New York Times Holland Cotter masks up on the Lower East Side and reviews Billy White, “This is a Show by Billy”by Holland CotterJuly 16, 2020 Forbes An Online Exhibition Of Drawings By Mississippi Artist Sarah Mary Taylor Is Full Of Unknown Richnessby Brienne WalshJuly 22, 2020 Time Out NY Walter Mika, “Funny Bunny”by Howard HalleJanuary 15, 2020 Artnet Review of Kyle Breitenbach, “When the Leaves Come Down”by Tim SchneiderAugust 12, 2019 Time Out Review of Mary T. Smith, “I We Our”by Howard HalleJune 7, 2019 Hyperallergic Review of Mary T. Smith, “I We Our”by Edward M. GomezJune 8, 2019 Artforum Review of Bernard Gilardi, “We Belong”by Barry Schwabsky Burnaway Review of Laura Craig McNellis, “Ode to Dolly”by Sophia CosmadopolosApril 12, 2019 Hyperallergic Review of Bernard Gilardi, “We Belong”by Julia FriedmanMarch 15, 2019 Artsy Review of Bernard Gilardi, “We Belong”by Scott IndrisekMarch 8, 2019 New York Times Review of Bernard Gilardi, “We Belong”by Jillian SteinhauerMarch 6, 2019 Time Out Review of Bernard Gilardi, “We Belong”by Howard HalleFebruary 16, 2019 The New Yorker Review of Sanford Darlingby Johanna Fateman Vulture Review of Sanford Darling, “House of 1000 Paintings”by Jerry SaltzMarch 4, 2019 Artnet News Includes the Friern Hospital Collection at the Outsider Art Fairby Brian BoucherJanuary 18, 2019 The Art Newspaper Scott Ogden interviewed at the Outsider Art Fairby Melissa SmithJanuary 17, 2019 Artnet News Scott Ogden interviewed at NADA Miamiby Julia Halperin and Tim SchneiderDecember 7, 2018 Disparate Minds Review of Billy White, “Coming to America”September 5, 2018 Hyperallergic Review of Billy White, “Coming to America”by John YauAugust 19, 2018 Time Out Review of Billy White, “Coming to America”August 6, 2018 Hyperallergic Review of Outsider Art Fair exhibition, “Annex”by Edward M. GomezMay 26, 2018 The New Yorker Review of Nate Plotkinby Will Heinrich Hyperallergic Review of Rev. George Kornegayby Edward M. GomezSeptember 9, 2017 The New York Times Review of “Another Place”by Will HeinrichJuly 27, 2017