Meg Lipke

Bio

Meg Lipke (b. 1969 Portland, Oregon) was raised in Burlington, Vermont and Cheshire, England, and she currently lives and works in Bushwick, Brooklyn. Lipke is known for her plush shaped canvases, painted with graphic, black lines and colorful, abstracted forms. Countless dualities, including painting and sculpture, abstraction and representation, geometric and organic, and contrast and familiarity meet in a dreamlike world on Lipke’s formed canvases.

CV

EDUCATION

1996

MFA, Cornell University, Ithaca, NY

1991

BA, University of Vermont, Burlington, VT

SOLO EXHIBITIONS

2024

Long Meg and Her Daughters, SHRINE, New York, NY

2023

Moon Tempo, DOCUMENT, Chicago, IL

2022

Ingredients You Can See And Pronounce, Broadway Gallery, New York, NY Le Feminine, Van Horn, Dusseldorf, Germany

2021

Meg Lipke: In The Making; A Five Year Survey, Burlington City Arts, Burlington, VT

2020

Meg Lipke, Broadway Gallery, New York, NY

2019

Ghost in the Garden, Gold/Scopophilia, Montclair, NJ

My Appendages, Lane Meyer Projects, Denver, CO

2018

The Woman In The Painting Has Left, Freight and Volume Gallery, New York, NY

2017

Shapeshifting, Andover School, Andover, MA

2016

Pliable Channels, Freight & Volume, New York, NY

2015

Players Removed From The Field, Jeff Bailey Gallery, Hudson, NY

2014

Sample Narrative, Parallel Art Space, Brooklyn, NY

2006

Meg Lipke: New Work, Outrageous Look Gallery, Brooklyn, NY

SELECTED GROUP EXHIBITIONS

2024

Celestial Songs, Venus Over Manhattan, New York, NY

Making Waves, Reynolds Gallery, Richmond, VA

2023

(MOSTLY) WOMEN (MOSTLY) ABSTRACT PT. II, Eric Firestone Gallery, New York, NY

Solan in the Garage, Eric Firestone Gallery, East Hampton, NY

STUFFED, Stone Gallery, Boston University, MA

2022

La Struttura, Overduin & Co., Los Angeles, CA

L’Evidence Eternelle, Dependance, Brussels, Belgium

To Lean Into, curated by Jesse Willenbring, Ceysson & Bénétière, NY

Beyond The Black Hole, The Pit, Palm Springs, CA

2021

Stephanie Crawford and Meg Lipke, Rebecca Camacho Presents, San Francisco, CA

Glyphadelphia, Hesse Flatow Gallery, New York, NY

Can You See The Real Me, Van Horn, Dusseldorf, Germany

Ober Gallery, Kent, CT

2020

Earthly, Esther Massry Gallery, College of Saint Rose, Albany, NY

Pressure Drop: Meg Lipke and Erika Ranee, Gold Montclair, Montclair, NJ

2019

Soft Shoulder, Kathryn Schultz Gallery, Cambridge Art Association, Cambridge, MA; Cathleen Daley, curator

Carry On/Combines, Galerie MR-80, Paris, FR; Allison Blumenthal, curator

Take Five, University at Buffalo Art Galleries, Buffalo, NY; Robert Scalise, curator

All This and Not Ordinary; An Exhibition of Women's Studio Practice, Marxhausen Gallery of Art, Concordia University Nebraska; Jim Bockelman, curator

Paper Giants V, University of Northern Iowa, Cedar Falls, IA

2018

Meg Lipke and Rachel Schmidhofer, Jeff Bailey Gallery, Hudson, NY

The Nature Lab, An Homage To The RISD Nature Lab and Its Founder Edna Lawrence, curated by Eric Wolf, Labspace, Hillsdale, NY

Paper Giants LA, Lois Lambert Gallery, Los Angeles , CA

2017

Thread By Thread, LMAK Gallery, New York, NY

Post-Election; September Gallery, Hudson, NY

Paper Giants; Moore College of Art, Philadelphia, PA

2016

Repeater; Tiger Strikes Asteroid, Philadelphia, PA

Paper Giants; The Volland Store, Alma, KS

In A Field With No Bounds; New City Galerie, Burlington, VT

2015

Satellite@ Artists’ Run; Miami

Peer Review; Blythe Gallery, London

Material Myth; Catinca Tabacaru, New York, NY

Let’s Go Away For Awhile; curated by Erik den Breejen and Maria Calandria, One Mile Gallery, Kingston, NY

Warp and Weft, Chain Stitch and Pearl; Textiles in the Ahmanson Collection, curated by John Silvis, Fieldstead and Co, Irvine, CA

Dusk Embossed; curated by Ky Anderson, Galerie Molly Krom, New York, NY

Mara Held, Margrit Lewczuk and Meg Lipke, David Findlay Jr Gallery, New York, NY

South Of No North, East of No West, curated by Brian Edmonds, Lowe Mill Arts, Huntsville, AL

2014

Bullet To The Brain; Brian Morris Gallery, New York, NY

Back To The Future Part I; Life On Mars Gallery, Brooklyn, NY

Soccer Mom; curated by Dannielle Teggedder, CUNY Lehman College Art Dept New York, NY

Diamonds and Doughnuts; Geoffrey Young Gallery, Great Barrington, MA

Paper Giants; Proto Gallery, Hoboken, NJ

White Hours; Studio Apothoki Inaugural Exhibition, Cyprus

The Reason For Beauty; Geoffrey Young Gallery, curated by Phil+Sue Knoll, Great Barrington, MA

Family Style, Pocket Utopia, New York, NY

Your General Store, Santa Fe Sitelines, Curated by Jason Middlebrook, Santa Fe, NM

Life on Mars Summer Invitational, Life on Mars Gallery, BK, NY Brooklyn/Marseille, curated by Rob de Oude and Yifat Gat, Look and Listen Gallery, St Chamas

MixTape, curated by Todd Bienvenu, No. 4 Studio, Brooklyn, NY

Do It Yourself, curated by Brian Cypher, 195 Morgan, Brooklyn, NY

Pair, curated by Ian White Williams, Proto Gallery, Hoboken, NJ

2013

Sluice Art Fair, London

What I Like About You, Parallel Art Space, Brooklyn, NY

Drafted, Schema Projects, Brooklyn, NY

2012

Lyrical Color, Pocket Utopia, New York, NY

Charting The Not, Centotto, Brooklyn, New York

ING Discerning Eye Invitational, Chantal Joffe, selector, London, UK

 

Panorama Stone, 2023-2024, acrylic and oil on canvas over custom stretcher, 60 x 72 in.


Balcraig, 2023-2024, acrylic and oil on canvas over custom stretcher, 60 x 72 in.


Rombald's Moor, 2023-2024, acrylic and oil on canvas over custom stretcher, 60 x 72 in.


Tre Ceiri Settlement, 2023-2024, acrylic and oil on canvas over custom stretcher, 72 x 60 in


The Witch and The Rock, 2023-2024, acrylic and oil on canvas over custom stretcher, 60 x 72 in.


Brück, 2023-2024, acrylic and oil on canvas over custom stretcher, 48 x 54 in.


Frankie and The Badger Stone, 2023-2024, acrylic and oil on canvas over custom stretcher, 60 x 72 in.


Ilkley Moor, 2023-2024, acrylic and oil on canvas over custom stretcher, 18 x 24 in.


Dowth Passage Grave, 2023-2024, acrylic and oil on canvas over custom stretcher, 54 x 48 in.


Giant Mother; Little Salkeld, 2023-2024, acrylic and oil on canvas over custom stretcher, 72 x 96 in.


Standing Stones, 2024, acrylic on muslin with beeswax resist, thread and fiber, 78 x 62 x 3 in.