HOPE BITES
October 25 - December 7, 2024
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Bethany Czarnecki (b. 1980 Westwood, New Jersey) explores the relationship between the feminine body and Mother Nature through her immersive oil paintings. Light and color transport the viewer into a multidimensional composition of organic forms, embodying sensual femininity. Czarnecki rotates the canvas as she works, allowing the painting’s orientation to reveal itself over time. Her work takes on a physicality as she explores the juxtaposition between abstract silhouettes of the female anatomy and natural landscapes, asserting the intimate connection between the body, mind and nature. Czarnecki lives and works in Greenwich, Connecticut.
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Anna Fidler (b. 1973 Traverse City, Michigan) received a Master of Fine Arts in Studio Art from Portland State University in 2005. Fidler’s chosen mediums range from cut paper and glue to gouache on linen; her leisurely process resembles a meditative ritual grounded in intuition and intention. She draws inspiration from historical photographs, spirits and everyday life, creating visual gateways that encompass the innate energy of her subjects. She lives and works in Corvallis, Oregon, where she teaches Studio Art at Oregon State University.
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James Gann (b.1970, San Antonio, TX) received a BFA from the University of Texas at Austin in 1996 and a MFA from Queens College in 1998. Selected exhibitions include showing with Alliance Gallery (Narrowsburg NY) and Side Door Gallery (Callicoon, NY). Gann is a Texas-raised artist who lives and works in Narrowsburg, NY.
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Tyler Lafreniere (b. 1983 Camden, Maine) received a Bachelor of Fine Arts from Hampshire College in Amherst, Massachusetts in 2006. Lafreniere explores various mediums, including painting, printmaking, and sculpture. His work utilizes symbolism to explore themes surrounding identity, authenticity and masculinity. Lafreniere lives and works in Queens, New York, where he co-founded Mrs. Gallery.
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Michael Lazarus (b. 1969 Newtown, Massachusetts) received a Master of Fine Arts degree in 1994 from the School of Visual Arts in New York, New York. Lazarus creates mixed media works made of paint, wood, glass and found materials that respond to their own color, materials and imagery. He incorporates portraiture to communicate emotions, infusing the human experience into his highly abstract and geometric works. The placement of elements allows spatial composition to convey an interconnected dialogue, prompting the work to embody its own language and narrative. Lazarus lives and works in Portland, Oregon.
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Kathryn Lynch (b. 1961 Philadelphia, Pennsylvania) received a Master of Fine Arts from the University of Pennsylvania in 1990. Lynch creates intimate oil paintings from her memory of place. She describes her work as poetry, capturing the essence and simplicity of time and space. Lynch lives and works in Catskill, New York.
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Charles Manion (b. 1961, Westchester, NY) is an artist whose creative spirit emerged through woodworking, boating, surfing, and his profound connection to the sea. Manion's compositions emit rough-hewn and tempestuous poetry as he translates his impulses and reactions to the natural environment onto canvases conjoined to unexpected and large driftwood frames. Charles "Chuck" Manion lives and works in Montauk, NY.
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Michelle Paterok (b. 1994 Edmonton, Alberta) received a Master of Fine Arts in Visual Art from Western University in London, Ontario. Paterok describes the foundation of her studio practice as “painting’s capacity to represent subjective experiences”. Her work is grounded in inquiry, addressing questions surrounding painting’s ability to capture time, space and environmental urgency. Paterok creates intimate dreamscapes that approach everyday scenes through a lens of memory and close reflection.
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Emily Pettigrew (b. 1990 Maine) received a Bachelor of Fine Arts in Communications Design from Pratt Institute in New York, NY. Pettigrew’s narrative acrylic paintings are inspired by her upbringing in rural, coastal Maine, and her work emanates a reverence for history and nature. Her work evokes the history of New England and points to various chapters of art history. Lone figures or small groups, landscapes and American architecture fill her canvases, which are stripped down to the most essential and beautiful parts. Pettigrew lives and works in Delhi, New York.
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Danny Sobor (b. 1992 Chicago, Illinois) received a Bachelor of Fine Arts in Visual Art and Neuroscience from Brown University in 2015. Sobor’s primary medium is oil paint, which he applies in thin layers to a canvas and minimizes the paint with a dry brush, creating a veiling effect. His source material comes from archival images he finds in the corners of the internet, but he breathes new life into the found images by elevating them to paintings. Sobor’s realistic style is grounded in a surrealist composition, cropping domestic scenes and representing them in a blurred and ethereal aura. Sobor lives and works in Brooklyn, New York.
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Agatha Wojciechowsky (1896-1986) was a self-taught artist, medium, spiritualist and healer. She was born in Steinach de Salle, Germany and emigrated to the United States in 1923 to work as a domestic worker in a German Baron’s family home in New Jersey. She later moved to New York City with her husband, Leo, and two children. Wojciechowsky worked as a well-known medium and healer, and she began drawing under the command of her spirit guide, a young girl named Mona. Wojciechowsky explained, “This is the work of different entities who take over and step into my body, directing my hand.”
HOPE BITES is a full-venue exhibition in New York City featuring 11 artists who have never been in a physical or online show at SHRINE. As a gallerist, highlighting new artists and their creative voices is one of the true joys and perks of this endeavor, and with each new collaboration, there is always a sense of hope and infinite possibility.
The artists included in the show range from a well-known mid-20th-century psychic medium to artists we first encountered on Instagram, our new submissions portal, or through friends' recommendations. In this exhibition, each artist gives us a glimpse at their larger story and studio practice. When installed together as a group, the artists’ works generate shared threads and dialogs with unexpected moments of synergy and communion, inviting viewers to incorporate their narratives and ideas into the mix.
At the heart of this exhibition is the theme of hope. A feeling of sincere hope in something manifesting, whatever that might be, can spark one of the most exhilarating sensations we are capable of experiencing. This euphoric mindset becomes infinitely more meaningful and important when the world slips into unrest and chaos, making it difficult to hold faith in the unknown. But the world would have fizzled out long ago without hopes and dreams, and when we’re open to it, hope generally pulls us back into its fold.