Bernard Gilardi

Bio

Based in Milwaukee, WI, Bernard Gilardi (1920–2008) worked intently on the weekends and at night after working as a dot etcher at various lithography companies creating his artwork. His devout Catholic family, which consisted of his wife, Mary Rose, and their two daughters, Mary and Dee, thought of Gilardi’s painting practice as a simple hobby. Given the religious underpinnings of the household, it is remarkable that Gilardi’s work survived and that he so explicitly (and fluidly) explored themes of homosexuality, race interrelations, religious satire and nudes. Gilardi’s paintings were usually executed on the rough side of masonite with oil paint and range in style from being deeply controversial, to outright bizarre, to sublime and quietly beautiful.

CV

SOLO EXHIBITIONS

2019

We Belong: Presented by Maurizio Cattelan, SHRINE, New York, NY

Bernard Gilardi, Portrait Society Gallery, Milwaukee, WI

2012

Museum of Wisconsin Art, West Bend, WI

Lawrence University, Appleton, WI

COLLECTIONS

Milwaukee Art Museum, Milwaukee, WI

Museum of Wisconsin Art, West Bend, WI

Chazen Museum of Art, Madison, WI

 

Sore Bone Paris Wisconsin, 1995, oil on masonite, 24 x 20 in.


Betty’s Backyard, 1975, oil on masonite, 20 x 24 in.


Gentrification, 1989, oil on masonite, 30 x 24 in.


Oil Pressure, 1976, oil on masonite, 24 x 24 in.


It’s a Deal, 1972, oil on masonite, 24 x 30 in.


Untitled (curly man), 1976, oil on masonite, 48 x 30 in.


Warm Sun, 1963, oil on masonite, 36 x 48 in.


Untitled (kissing couple), 1971, oil on masonite, 29 x 28 in.


Show of Hands, 1976, oil on masonite, 24 x 24 in.


Bouy #8, 1975, oil on masonite, 24 x 36 in.